Off the Record Transcript
Nov 14, 2005 1:15:27 GMT -5
Post by arden on Nov 14, 2005 1:15:27 GMT -5
Huge thank you to Steve's Place, Cateyes, Pat, (who typed her fingers to the bone) and Uncle Joe for sharing.
Off the Record Nov. 13, 2005 (Used with Permission)
JB: On November 6th 1981, Journey played to a sell-out crowd at The Summit in Houston,Texas. A brand new music channel MTV aired the event; filmed it once that same month. The performance was then buried in a vault until now. 24 years later former Journey singer Steve Perry has dusted off that concert, remixed it and remastered it and added some bonus interview footage and is about to release it as a double DVD and Cd set called Lived in Houston Nov. 6, 1981: the Escape tour. Hey this is your Uncle Joe Benson and Journey was at the height of there popularity in the summer of 1981, in fact that very week the Houston concert was filed the Escape album hit #1 on the American charts. Audiences were getting their first introduction to Journey classics like Open Arms, Don't Stop Belivin'. Today Steve Perry is here to share that magical time. It's a trip to the Houston Summit with Journey, Off the Record.
Lights Plays.
JB: It's your Uncle Joe Benson and off the record speaking with Steve Perry who's been very busy of late. There a new CD and DVD out called Live in Houston Nov. 6, 1981: the Escape Tour. Not a short title but certainly wraps things up.
SP: Well trying to be specific of which it...from which it came from. You know it's...
JB: This is an astounding performance document.
SP: Very nice.
JB: Let's just set this up before we get into actually what happened here at this point in 1981. You've been working with Journey for 5 years.
SP: I would say that's close to years. Yeah
JB: 5 years something like that. Ahh you've gone through one personnel change at this point.
SP: Jonathan Cain came in that's right. Actually two, Steve Smith came in after Ansley left and then Jonathan Cain came in. And this was Jonathan's I believe first tour and first album Escape. The Escape Album, the Escape tour.
JB: When you did the Houston show how far into the tour was this? Was this at the beginning...was this half way through; was this 2 ½ years on the road?
SP: I believe the tour started July of 81'; is what I believe and this went ahhhh November and it ended the following (Steve chuckles) July. SO it went for a while year or longer. I think at least.
JB: Journey was the first band to really use what...videos on stage?
SP: Live switching with like 5 cameras. So that the people in the back had a good sense at what was going on too.
JB: You were...had state of the art, everything your doing is a little cutting edge.
SP: Yeah
JB: You're feeling good that way.
SP: Yeah.
JB: Not that you didn't have confidence in the material right off the bat.
SP: I think I had total confidence in the music and the ability in the band to perform it. You know which I got to tell you when I was working on this as I was mixing it. I was mixing it particular time...it's in stereo and 5.1 surround; so it had to be mixed twice. But the stereo mixes I was sitting there watching the video assist and cause I had to make sure things correlated visually too and when Open Arms came on...Oh my goodness you know...I had and emotional moment when I couldn't watch the screen. And it continued to hit me like that in a way that I can only explain like ahhhh I had no idea that the song did reach that spot in my heart; where I always thought it could be. By that I really gotta tell ya it's better than the original master. It's more emotional than the original master to me. It's performed by everyone. The vocals which were in my heart so demanding the way I wanted to do em'. Though the master recording got close, but the way I really wanted to do em' was the way they ended up on this particular project. And I....and I got emotional a couple of times and I kinda tucked it back and didn't let the engineers know cause I couldn't look at the screen. I had to keep my head down at the console because it...I was being mugged by a plethora of emotions. (Steve laughs) I mean like you know 24 years ago he's so young....you know.
JB and SP laugh
SP: Who's that guy with the nose and the hair? You know and the band and seeing Neal play so beautifully. Watching Steve Smith, I mean it just I got thrown back into; I had not idea it was that good. I guess I didn't, I was in it.
Open Arms Plays.
JB: At this point in time when Journey's performing live on the Escape Tour was the set list pretty much the same every night? So everybody knew kinda where there cue's were or..?
SP: Yeah the show was worked out. But we knew what the set list was and we did make a couple of changes for these 2 shows. It was actually 2 shows at the Summit sold out but we audioed both but MTV only showed up to tape one.
JB: When you look back at the video of this performance and you see the audience from 1981
SP: Hmmmmm
JB: Tell us what did you see if you certainly didn't remember much of that...not that anything is wrong with your memory but...but (Steve laughs) when you saw...so you I can't remember where that was no but no.....
SP: Are you Casey Kasem? No I'm sorry. (slight laugh from Steve)
JB: Coming up next we have a letter from little Stephen who list his memory (Steve laughs) and we have a song by Carol Kung Fu Evans (Steve laughs louder)
SP: Who writes from Deluth? (Steve laughing still)
JB: Who writes from?? You look at videos and you see an audience you haven't seen for oh let's see 24 years and audiences look different back then but the same time this was the 1st time you're being exposed to those people as well. There was a passion in the audience for the music. What did you see that you didn't remember?
SP: I saw first of all as a musician, I was just stunned at how the band really wanted to be one of the best. I could see that there was a mission between these 5 guys. I was stunned cause I'm a drummer that Steve Smith was playing in a manner that was absolutely hard to describe, with a true fervor and vengeance to his playing that I just don't recall and I can see that that kind of drive that he had made it possible for me as the singer to sit in the back seat of him driving in the front and just soar. So that was his contribution to the singing aspect and I got to hear me singing in a way that I don't remember myself singing either, and Neal ... Neal Schon was playing I think some of the best guitar I have ever heard, of anyone and he outdid himself, and Ross played beautifully, and so that as a musician stunned me first you know, and then the interaction of the audience. We play, they react, we stop, they react. We announce a song, they react, and it was just such a high, you know, and it was such a high you know and it was like being there again for me it was. It was as if there was some sort of digital memory in me that forgot what it was like to stand there in front of these people in Houston, and I slowly started to recall the feeling of being there because I watched the quick time video locked to audio for 14 hours a day, seven days a week for about three months.
continued....
Off the Record Nov. 13, 2005 (Used with Permission)
JB: On November 6th 1981, Journey played to a sell-out crowd at The Summit in Houston,Texas. A brand new music channel MTV aired the event; filmed it once that same month. The performance was then buried in a vault until now. 24 years later former Journey singer Steve Perry has dusted off that concert, remixed it and remastered it and added some bonus interview footage and is about to release it as a double DVD and Cd set called Lived in Houston Nov. 6, 1981: the Escape tour. Hey this is your Uncle Joe Benson and Journey was at the height of there popularity in the summer of 1981, in fact that very week the Houston concert was filed the Escape album hit #1 on the American charts. Audiences were getting their first introduction to Journey classics like Open Arms, Don't Stop Belivin'. Today Steve Perry is here to share that magical time. It's a trip to the Houston Summit with Journey, Off the Record.
Lights Plays.
JB: It's your Uncle Joe Benson and off the record speaking with Steve Perry who's been very busy of late. There a new CD and DVD out called Live in Houston Nov. 6, 1981: the Escape Tour. Not a short title but certainly wraps things up.
SP: Well trying to be specific of which it...from which it came from. You know it's...
JB: This is an astounding performance document.
SP: Very nice.
JB: Let's just set this up before we get into actually what happened here at this point in 1981. You've been working with Journey for 5 years.
SP: I would say that's close to years. Yeah
JB: 5 years something like that. Ahh you've gone through one personnel change at this point.
SP: Jonathan Cain came in that's right. Actually two, Steve Smith came in after Ansley left and then Jonathan Cain came in. And this was Jonathan's I believe first tour and first album Escape. The Escape Album, the Escape tour.
JB: When you did the Houston show how far into the tour was this? Was this at the beginning...was this half way through; was this 2 ½ years on the road?
SP: I believe the tour started July of 81'; is what I believe and this went ahhhh November and it ended the following (Steve chuckles) July. SO it went for a while year or longer. I think at least.
JB: Journey was the first band to really use what...videos on stage?
SP: Live switching with like 5 cameras. So that the people in the back had a good sense at what was going on too.
JB: You were...had state of the art, everything your doing is a little cutting edge.
SP: Yeah
JB: You're feeling good that way.
SP: Yeah.
JB: Not that you didn't have confidence in the material right off the bat.
SP: I think I had total confidence in the music and the ability in the band to perform it. You know which I got to tell you when I was working on this as I was mixing it. I was mixing it particular time...it's in stereo and 5.1 surround; so it had to be mixed twice. But the stereo mixes I was sitting there watching the video assist and cause I had to make sure things correlated visually too and when Open Arms came on...Oh my goodness you know...I had and emotional moment when I couldn't watch the screen. And it continued to hit me like that in a way that I can only explain like ahhhh I had no idea that the song did reach that spot in my heart; where I always thought it could be. By that I really gotta tell ya it's better than the original master. It's more emotional than the original master to me. It's performed by everyone. The vocals which were in my heart so demanding the way I wanted to do em'. Though the master recording got close, but the way I really wanted to do em' was the way they ended up on this particular project. And I....and I got emotional a couple of times and I kinda tucked it back and didn't let the engineers know cause I couldn't look at the screen. I had to keep my head down at the console because it...I was being mugged by a plethora of emotions. (Steve laughs) I mean like you know 24 years ago he's so young....you know.
JB and SP laugh
SP: Who's that guy with the nose and the hair? You know and the band and seeing Neal play so beautifully. Watching Steve Smith, I mean it just I got thrown back into; I had not idea it was that good. I guess I didn't, I was in it.
Open Arms Plays.
JB: At this point in time when Journey's performing live on the Escape Tour was the set list pretty much the same every night? So everybody knew kinda where there cue's were or..?
SP: Yeah the show was worked out. But we knew what the set list was and we did make a couple of changes for these 2 shows. It was actually 2 shows at the Summit sold out but we audioed both but MTV only showed up to tape one.
JB: When you look back at the video of this performance and you see the audience from 1981
SP: Hmmmmm
JB: Tell us what did you see if you certainly didn't remember much of that...not that anything is wrong with your memory but...but (Steve laughs) when you saw...so you I can't remember where that was no but no.....
SP: Are you Casey Kasem? No I'm sorry. (slight laugh from Steve)
JB: Coming up next we have a letter from little Stephen who list his memory (Steve laughs) and we have a song by Carol Kung Fu Evans (Steve laughs louder)
SP: Who writes from Deluth? (Steve laughing still)
JB: Who writes from?? You look at videos and you see an audience you haven't seen for oh let's see 24 years and audiences look different back then but the same time this was the 1st time you're being exposed to those people as well. There was a passion in the audience for the music. What did you see that you didn't remember?
SP: I saw first of all as a musician, I was just stunned at how the band really wanted to be one of the best. I could see that there was a mission between these 5 guys. I was stunned cause I'm a drummer that Steve Smith was playing in a manner that was absolutely hard to describe, with a true fervor and vengeance to his playing that I just don't recall and I can see that that kind of drive that he had made it possible for me as the singer to sit in the back seat of him driving in the front and just soar. So that was his contribution to the singing aspect and I got to hear me singing in a way that I don't remember myself singing either, and Neal ... Neal Schon was playing I think some of the best guitar I have ever heard, of anyone and he outdid himself, and Ross played beautifully, and so that as a musician stunned me first you know, and then the interaction of the audience. We play, they react, we stop, they react. We announce a song, they react, and it was just such a high, you know, and it was such a high you know and it was like being there again for me it was. It was as if there was some sort of digital memory in me that forgot what it was like to stand there in front of these people in Houston, and I slowly started to recall the feeling of being there because I watched the quick time video locked to audio for 14 hours a day, seven days a week for about three months.
continued....